Departures by Julian Barnes

★★★★☆ | Literary Fiction | Digital | Borrow | StoryGraph | Goodreads
Julian Barnes’ latest book, Departure(s), is difficult to classify. It’s part memoir, part literary analysis, part diary, and part meditation on friendship, memory, and the finality of death, while still leaving room for the story of how the narrator (unreliable?) introduced two friends at Oxford, and how, after a 40-year gap, he brought those same friends together again with hopeful intentions. Unlike a novelist’s artistic godlike designs, we are soon reminded that there are few happy endings in life. Things happen for no reason. Or don’t. And death is cruel and final.
It seems to me that humans are often so busy living that they forget they are human – or at least forget what it is to be human, and what its consequences are – and therefore what it means to be dead.
Along the way, we are treated to glimpses of the author’s private life: his adoption of a dog, his insomniac writing in the middle of the night on his IBM Selectric typewriter, his eccentric journaling practice, the many vagaries of aging, his battle with cancer, and his grief of losing his wife of thirty years. There is a continual flow of dark wit, though melancholy lies just below the surface of almost every page.
Barnes turned eighty when this book came out. He says it will be his last, preferring to have the final word, and dreading the potential for dying in the saddle, mid-sentence. And yet, I can’t help wondering if he might still have more to give us. Earlier this year, he married his former publisher and long-time partner. This seems like an optimistic act. If not another book, we can at least hope he finds peace and love. We should all be as lucky.



















